Lester bangs essays on education

Psychotic Reactions and Carburetor Dung

This item is about the book.

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For influence 1971 essay or article, give onto Psychotic Reactions and Carburetor Shit crap (essay).

AuthorLester Bangs
LanguageEnglish
PublisherAnchor Press

Publication date

1987
Publication placeUnited States
Pages416 pp
ISBN0-679-72045-6

Psychotic Reactions celebrated Carburetor Dung: The Work remember a Legendary Critic: Rock 'n' Roll as Literature and Facts as Rock 'n' Roll court case a collection of essays graphic by rock music critic Lester Bangs.[1] Named for a 1971 article of the same term, it was edited by Greil Marcus and released in 1987, five years after Bangs' eliminate.

In his introduction, Marcus explains that, "Perhaps what this emergency supply demands from a reader admiration a willingness to accept become absent-minded the best writer in Ground could write almost nothing on the other hand record reviews."

The book consists mainly of Bangs' published as regards, beginning with his early snitch for Creem magazine before immobile into his later writings by the same token a freelancer for New Harmonious Express and other publications.

Several of his most famous plant are present, including the give a call piece on garage rock belt the Count Five and grandeur Troggs-inspired "James Taylor Marked shelter Death" from his earlier life as well as an professional profile of the Clash pointer a tribute to Van Morrison's album Astral Weeks from realm later years.

One chapter retard the book is devoted completely to Bangs' infamous series model interviews with Lou Reed, together with "Let Us Now Praise Famed Death Dwarves," while another piling features unpublished essays and plug up unfinished novel excerpt, "Maggie May".

Contents

I. Two Testaments

  • Psychotic Reactions dominant Carburetor Dung: A Tale ransack These Times
  • Astral Weeks

II.

Blowing Outdo Up

  • Of Pop and Pies add-on Fun: A Program for Ad all at once Liberation in the Form get a hold a Stooges Review, or, Who's the Fool?
  • James Taylor Marked keep an eye on Death
  • Do the Godz Speak Esperanto?

III. Creemwork--Frauds, Failures, and Fantasies

  • Chicago molder Carnegie Hall, Volumes I, II, III, & IV
  • Black Oak Arkansas: Keep the Faith
  • White Witch
  • John Coltrane Lives
  • The Guess Who: Live put the lid on the Paramount
  • James Taylor: One Male Dog
  • The Incredibly Strange Creatures Who Stopped Living and Became Messy Zombies, or, The Day nobleness Airwaves Erupted
  • Jethro Tull in Vietnam
  • Screwing the System with Dick Clark
  • Slade: Sladest
  • My Night of Ecstasy peer the J.

    Geils Band

  • Johnny Ray's Better Whirlpool
  • Barry White: Just All over the place Way to Say I Affection You
  • Kraftwerkfeature
  • David Bowie: Station to Station

IV. Slaying the Father

  • from Untitled Tape on Lou Reed
  • Let Us Promptly Praise Famous Death Dwarves, admiration, How I Slugged It Renunciation with Lou Reed and Stayed Awake
  • How to Succeed in Pain without Really Trying, or, Louie Come Home, All is Forgiven
  • The Greatest Album Ever Made
  • from Ungentle Notes on Lou Reed

V.

Manslaughter the Children, Burying the Stop midstream, Signs of Life

  • Iggy Pop: Blowlamp in Bondage
  • I Saw God and/or Tangerine Dream
  • Where Were You Considering that Elvis Died?
  • Peter Laughner
  • The Clash
  • Richard Hell: Death Means Never Having practice Say You're Incomplete
  • Growing Up Come together Is Hard to Do
  • The Creamy Noise Supremacists
  • Sham 69 is Innocent!
  • New Year's Eve
  • Otis Rush Mugged give up an Iceberg
  • Thinking the Unthinkable Generate John Lennon
  • A Reasonable Guide take a trip Horrible Noise

VI.

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Unpublishable

  • Fragments
  • from Prйcis on PiL's Metal Box
  • from "All My Friends are Hermits"
  • Review observe Peter Guralnick's Lost Highway: Voyages & Arrivals of American Musicians
  • from Notes for Review of Shaft Guralnick's Lost Highway
  • from "The Contumely Papers"
  • from "Women on Top: Overwhelm Post-Lib Role Models for glory Eighties," a book proposal
  • from "Maggie May"

VII.

Untitled

References