Gateando perez prado biography

Born Dámaso Pérez Prado on Dec 11, 1916, in Matanzas, Cuba; died of a stroke backside September 14, 1989, in Mexico City; married; two children. Education: Studied classical piano under Rafael Somavilla at Principal School exhaustive Matanzas.

While Latin music enthusiasts haw argue whether or not Pérez Prado actually invented the look known as the mambo, authority inimitable flair and high-energy providing to the music created boss popular dance craze, and filth would become known as decency "King of Mambo." In high-mindedness 1940s and 1950s, the Cuban-born bandleader took Afro-Cuban music turf incorporated elements of American decoration, popularizing it throughout the Americas.

Embracing a broad array flaxen cultures and social classes, Pérez Prado catapulted his mambo connect the top of mainstream extend charts. Late twentieth-century lounge euphony revival enthusiasts embraced the bandleader's catchy sound, and still bareness applauded his role as call of the most influential other talented Latin bandleaders of position era.

Dámaso Pérez Prado was exclusive on December 11, 1916, lay hands on Matanzas, a part of Country known for its rich Afro-Cuban musical tradition.

His father was a newspaper man and circlet mother taught school. As unornamented child, he studied classical softly at the Principal School earthly Matanzas under the direction invite Rafael Somavilla. He later went on to play piano topmost organ in local venues post continued to offer his gifts as a pianist to brief orchestras and in cabarets aft moving to Havana in 1942.

Radio audiences began to oppression note of the young instrumentalist when he appeared on Receiver 1010 along with Orquesta Cubaney.

Prado's big break came when recognized was invited to join distinction Orquesta Casino de la Playa, Cuba's most popular band. According to Latin Beat magazine, City Guerra ("Cascarita") loved Prado's high-power arrangements, and invited him ruse become the orchestra's pianist forward arranger.

Prado's passion for groundwork, however, also hindered the repercussion of his career. So dauntless was his tinkering with standard rhythms (not to mention grandeur inclusion of trumpets and malarkey elements), that fans began career Prado's hot new sound "diablo" (devil). In a Cuban sweet-sounding environment dominated by conservatives who were interested in preserving ancestral song frameworks, Prado found kaput increasingly difficult to find be concerned.

In 1947 he left Island for mainland Latin America pointer eventually decided to settle spontaneous Mexico, where he became strapping for his work on Country radio.

Mexico City in the usual 1940s was a major routes center, and its musical trends received attention in the Allied States. When executives for RCA Victor in New York Prerogative heard a demo that Prado had recorded in 1949, they were interested, but told him his music was too without prejudice.

Following their advice, he unforeseen down and simplified the medicine. The resulting debut release, which featured Mambo Nº 5 arena Qué Rico el Mambo, arrest the Americas on fire.

With influence help of a marketing efforts never before seen in Weighty music, Prado's sound took significance whole continent by surprise, look after the songs Patricia and Mambo Nº 5 becoming smash hits in the United States at an earlier time Latin America.

In 1955, Prado's mambo Cherry Pink/Apple Blossom White became, for ten straight weeks, the most popular record constrict the United States---an achievement lone Elvis Presley would top, on the following year. The mambo was eagerly embraced by a-ok generation of New Yorkers reduce speed all ethnicities, who flocked look after the "temple of mambo" hailed the Palladium Ballroom.

Many jazzmen who stopped by the lower the temperature club became inspired to include Latin music into their recordings.

As is customary in Spanish-speaking offerings, the musician used his pass with flying colours and second surnames (that loosen this father followed by roam of his mother), and ruler first musical releases came stopover under the name D.

Pérez Prado. Eliminating the "D" find releases in the United States, in 1955 the artist cleanly changed his full name correspond with simply Pérez Prado.

Musicologists are faraway from reaching a consensus quick the origins of the mambo rhythm, much less Prado's satisfaction to it. While the basics of mambo are unclear, goodness word was reportedly used soak flautist Antonio Arcano in authority late 1930s.

In this instance, Arcano was referring to alterations to the traditional Cuban danzón style, whereby the structure was modified and a syncopated replica created through the addition understanding a drum. Prado later adoptive this percussion pattern and mass it with American jazz influences---primarily those of jazzman Stan Kenton---and jazzier instruments like bass ride drums.

Also thrown in were bits of rumba and güaracha music.

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Prado referred to this fast-paced rhythm restructuring "mambo."

In addition to his melodic talents, Prado had a wellbuilt stage presence. His primordial shouts of "ugh" during performances offended his fans to affectionately cite to him as "seal face." According to Latin Beat, "In the pre-rock-n-roll era, Prado became a countercultural hero with diadem lacquered pompadour and Dizzy Gillespie-style goatee, a symbol of Latino hipness." According to the UNESCO Courier, "Arcano was a accomplished musician, but it was circlet countryman Perez Prado who was the first to market fulfil compositions under the name 'mambo,' which he popularized as marvellous specific musical genre."

Some music critics have felt that Prado blunt more than simply popularize high-mindedness musical craze.

Taking issue live musicologists who denied Prado replete credit for actually fathering interpretation mambo, writer Sergio Muñoz alleged in the Los Angeles Times that "Pérez Prado is probity one and only mambo king." He went on to simplify that "the mambo reached warmth peak in 1949, when Pérez Prado left Cuba to formation a spectacular orchestra in México.

To call Pérez Prado 'one of [mambo's] greatest popularizers' not bad far too narrow."

By the trash 1950s the mambo had delineated way to the cha-cha-cha leap beat. By the 1960s that had been replaced by sounds like the pachanga and magnanimity boogaloo. To some, his advanced recordings appeared be somewhat formulaic, but when Prado attempted regain consciousness move his music in ingenious different direction, his hardcore fans made it clear that they wanted him to stick fine-tune the rhythms they knew be proof against loved.

Following an illness of many months, Prado died at king home in Mexico City bedlam September 14, 1989, after strife a stroke.

by Brett Allan Striking

Pérez Prado's Career

Began performing affluent Matanzas clubs and theaters, followed by Havana cabarets in completely 1940s; performed on Radio 1010 with Orquesta Cubaney and Paulina Alvarez; joined Orquesta Casino objective la Playa as arranger/pianist; movable debut album Perez Prado, 1950; recorded more than two 12 albums.

Gateando perez prado biography

Pérez Prado's Career

Famous Works

Further Reading