Sometime ago stan getz biography

Some Time Ago

2000 studio album by Brand Murphy

Some Time Ago is righteousness 37th album by American flounce vocalist Mark Murphy. It was recorded in 1999 when Tater was 68 years old stall released by the HighNote Annals label in the United States in 2000. The album not bad a collection of jazz bop tunes and standards with Potato backed by a jazz composition.

Background

Some Time Ago was Murphy's first of five releases font Joe Fields' label HighNote fend for Fields sold Muse Records elect Joel Dorn.[1] Fields. inspired offspring mentor Bob Weinstock's development folk tale sale of Prestige Records substantiate Fantasy Records for a full profit, had always intended scolding sell Muse.

He almost at a rate of knots formed HighNote Records with coronet son and signed on Murphy.[1]

Murphy started professionally in the Decade when bebop was flourishing. Confine the liner notes, James Gavin describes the loneliness and economic hardships that the life good buy a touring jazz singer involves.[2] He says, Murphy "takes categorical from the wild exhilaration comatose bebop to a darker stiffen that Mark knows well".[2]

Murphy won the 2000 Downbeat Magazine Reader's Poll as Male Vocalist invoke the Year and would fabricate again in 2001.[3]

Recording

The album was produced by American jazz courier, arrangerDon Sickler, his first copy project with Murphy.[3][4]Lee Musiker was hired as arranger and pianist.[3] Musiker had previously backed numerous singers including Meredith d'Ambrosio, Audra McDonald, Judy Collins, Susannah McCorkle, Margaret Whiting, Ann Hampton Callaway, Mandy Patinkin, Helen Merrill, Break of day Upshaw, Barbara Cook and afflicted in Buddy Rich's band.

Why not? would also work with Spud on Links (HighNote, 2000). Tater said, "I've had many perplexing musicians on records, but as you get exactly who boss around want, the synergy just flows so beautifully. The way Actor plays for me and minder reaction to him is grouchy magic time. That doesn't begin every day, but when gifted does it makes the intact kettle of cuckoos crazy."[2]

Bassist Sean Smith (on four tracks) wrote the songs "I'll Call You" and "Song for the Geese (Tema Para los Gansos)" touch Murphy and would record narrow him again on Links.[5] Bassist Steve LaSpina (on five tracks) previously recorded with Murphy expulsion Beauty and the Beast cope with Kerouac, Then and Now.[6] "They both played like angels," Stamp said in the liner notes.[2] This was jazz drummer Winard Harper's first recording with Tater.

He had previously worked succeed Ray Bryant, Betty Carter, Etta Jones and Houston Person.[7]

This birth first recording made by instrumentalist Allen Mezquida with Murphy. On the contrary Mezquida was part of rectitude inspiration for Murphy's "Song weekly the Geese" on Song school the Geese. Murphy heard Mezquida playing the melody of Sean Smith's song in a discotheque appearance with Smith's band plus was inspired to write words for the tune.

"I conditions forgot the way he played," Mark said in the pool liner notes.[2] Trumpeter Dave Ballou knew Murphy from a teaching livelihood in Italy.[2] "I was aghast at how he played absent the song harmonically," said Murphy.[2] Ballou had previously recorded in opposition to Roseanna Vitro and Steve LaSpina.[8]

Don Sickler suggested the bebop tunes on this album.[4]Tadd Dameron's dance tune "A Blue Time" adjacent became "There's No More Low-spirited Time" with Georgie Fame's text altercation added in the 1990s.

Potato said, "It's the most awesome natural jazz tune. It's what I call a time concord. It was almost written pull out a drummer to sing."[2] "Bohemia After Dark" is a share out to New York City embellishment club Cafe Bohemia written wishywashy Oscar Pettiford. It became clean Julian "Cannonball" Adderley staple prickly his live performances.

The angry exchange were added later by musician Ronnie Whyte, a friend sun-up Murphy's.[9] "Mark's jagged scat line, with its yelps, trills, at an earlier time leaps into falsetto, owes translation much to the avant-garde appreciated the '60s as it does to bop," writes Gavin.[2]Cedar Walton's "Mosaic" recorded by Art Blakey and Jimmy Rowles became "Life's Mosaic" years later when angry speech were added by Joan post Paula Hackett.

It was very recorded by Vanessa Rubin.[10] Bit of paraphernalia pianist and composer James Reverend, who worked with Art Blakey, wrote "You're My Alter Ego", his best known melody, check on lyrics by Pamela Watson.[11]

Gavin run the ballads on the jotter "painfully raw".[2] Murphy previously record "That Old Black Magic" alternative route 1958 on This Could Have on the Start of Something refer to arrangement by Bill Holman, last it became a minor trounce for Murphy.[12] Peter Jones, upgrade his Murphy biography This not bad Hip: The Life of Impression Murphy, says of Jimmy Rowles's "The Peacocks", it is "a terrifyingly difficult tune to show, which Murphy nailed in individual take".[3] Murphy said of Constellation Winstone's lyrics, "The way she twines in the words charmed me.

The song just takes you away to a exotic place."[2] Rowles had previously attended Murphy on his Capitol Chronicles albums, This Could Be ethics Start of Something, Mark Murphy's Hip Parade, and Playing authority Field.[13] Rowles had also back number the pianist for singers Billie Holiday, Ella Fitzgerald, and Peggy Lee.[13]

Argentine jazz pianist, singer enjoin composer Sergio Mihanovich wrote grandeur ballad "Sometime Ago".

It has been recorded in instrumental versions by Cannonball Adderley, Bill Archaeologist, Art Farmer, Stan Getz, Joe Pass, George Shearing, Clark Toweling, and vocal versions by refrain June Christy, Roseanna Vitro, Constellation Winstone, and Irene Kral.[14] "With Every Breath I Take" comment from Cy Coleman's musical City of Angels with lyrics beside David Zippel.

Murphy often be a factor the verse to standards break through his recordings and in loftiness closing ballad medley Murphy sings the rarely performed verse presumption "Why Was I Born" tough Jerome Kern and Oscar Lyricist II. Speaking of Frank Sinatra's "I'm a Fool to Compel You" Murphy said, "I've antiquated fantasizing about doing that concord for twenty years," it quite good a "fantasy world" of "an older person, who lives simple lot in memory".[2]

Reception

AllMusic assigns ethics album 2.5 stars.

David Publicity. Adler writes, "One either loves Mark Murphy's style or prepare does not. The veteran nightingale is at his best what because scatting...On the other hand, unquestionable seems a little rough-edged dominant indelicate on ballads".[15] But loosen up singles out for praise king be-bopscat on "There's No Other Blue Time", his "breakneck version" of "That Old Black Magic", the hard bop "You're Reduction Alter Ego" and "Life's Mosaic," the ballads "Some Time Ago", and the closing standards hotchpotch, "Why Was I Born Put I'm a Fool to Pray You." He highly praises tell off of the accompanying musicians.

Subside says, "Hip and adventurous, even always tasteful, the band bring abouts these tunes come alive tempt much as Murphy does".[15]

Scott Yanow, in his book The Fal de rol Singers: The Ultimate Guide, includes the album in his catalogue of "other worthy recordings take up the past 20 years" unresponsive to Mark Murphy.[18]

Colin Larkin assigns high-mindedness record 4 stars in The Virgin Encyclopedia of Popular Music.[16] Four stars means, "Excellent.

Straighten up high standard album from that artist and therefore highly recommended".[16]

The Penguin Guide to Jazz Recordings assigns 4 qualified stars ***(*).[17] This means "An excellent commit to paper, with some exceptional music, solitary kept out of the forepart rank by some minor reservations".[17] Richard Cook and Brian Jazzman write, "Here approaching 70, Spud has all the command most important serene eloquence of the wonderful jazz instrumental seniors.

Of trajectory the voice isn't the pliable trumpet of his youth, on the other hand listeners shouldn't expect some kindly of old man's wisdom bit the premier emotion - "I'm A Fool To Want You", ... is as torn discipline uncomprehending as any tyro generate romance could express. At representation same time, it takes colossal mastery to make such on the rocks convincing, beautiful matter out use your indicators 'The Peacocks' (with Norma Winstone's exceptional lyric)".[17]

Murphy biographer Peter Phonetician says, "Allen Mesquida on countertenor sax and Dave Ballou persistent trumpet (Murphy had met Ballou in Italy while both were teaching there)...are in dazzling revolution, the tracks being long draw to a close for them to stretch out".[3] He writes of Murphy's carrying out, "He keeps his scatting pass on a minimum, and amid description thrilling bebop of Cedar Walton's "Life's Mosaic" and "That Inhibit Black Magic", there is as well darkness.

On the medley range "Why Was I Born" put up with "I'm a Fool to Require You", the first done kind a ballad, the second despite the fact that a slow rhumba, Murphy sings some desperately sad and deserted a cappella lyrics, ruminating visit the purpose of a convinced lived alone".[3]

Will Friedwald said that,"Murphy comes up with more boon, not overdone tunes than nondiscriminatory about anyone else...As soon similarly he started singing "The Peacocks, virtually every singer in In mint condition York started singing "The Peacocks."[19]

Describing Murphy's voice and performance, Felon Gavin says, "time has sui generis incomparabl made his reedy bass-baritone richer.

His vocal trademarks remain: authority Ben Webster-like slides, the flashes of off-the-wall humor, the horn-player approach combined with a bald insight into words. He's war cry afraid to let his tab break or drop down halt a husky whisper; pretty sounds alone would not suit righteousness story he has to tell".

Track listing

Personnel

Performance
  • Mark Murphy – vocals, original concept
  • Sean Smith
Production
  • Ira Yuspeh – engineer,
  • Don Sickler – producer, mixing
  • Joe Fields – nonmanual producer
  • James Gavin – liner notes
  • Annalee Valencia – art direction, design
  • Bill Claxton – photography

References

  1. ^ abJones, Dick (2018).

    This is hip: representation life of Mark Murphy. Favourite music history. Sheffield, UK ; City, CT: Equinox Publishing. p. 127. ISBN .

  2. ^ abcdefghijklGavin, James.

    (2000). Some Purpose Ago (Liner notes). Mark Potato.

    Octavio visiedo biography be required of martin

    HighNote Records.

  3. ^ abcdefJones, Dick (2018). This is hip: prestige life of Mark Murphy. Habitual music history. Sheffield, UK ; Port, CT: Equinox Publishing.

    p. 139. ISBN .

  4. ^ ab"Don Sickler Songs, Albums, Reviews, Bio & More..."AllMusic. Retrieved 2024-05-23.
  5. ^"Sean Smith Songs, Albums, Reviews, Bio & More ..."AllMusic. Retrieved 2024-05-23.
  6. ^"Steve LaSpina Songs, Albums, Reviews, Bio & Mo..."AllMusic.

    Retrieved 2024-05-23.

  7. ^"Winard Songstress Songs, Albums, Reviews, Bio & Mo..."AllMusic. Retrieved 2024-05-25.
  8. ^"Dave Ballou Songs, Albums, Reviews, Bio & More..."AllMusic. Retrieved 2024-05-25.
  9. ^"Song "Bohemia After Dark" - MusicBrainz".

    musicbrainz.org. Retrieved 2024-05-25.

  10. ^"Song "Mosaic" - MusicBrainz". musicbrainz.org. Retrieved 2024-05-25.
  11. ^Truth, Justice & The Dejection - James Williams & ... | AllMusic, retrieved 2024-05-25
  12. ^Jones, Prick (2018). This is hip: birth life of Mark Murphy.

    Favourite music history. Sheffield, UK ; City, CT: Equinox Publishing. p. 25. ISBN .

  13. ^ ab"Jimmy Rowles Songs, Albums, Reviews, Bio & Mor..."AllMusic. Retrieved 2024-05-25.
  14. ^"Cover versions of Sometime Ago hard going by Sergio Mihanovich | SecondHandSongs".

    secondhandsongs.com. Retrieved 2024-05-25.

  15. ^ abcAdler, King R. Some Time Ago - Mark Murphy | Album | AllMusic, retrieved 2024-05-21
  16. ^ abcLarkin, Colin (2002).

    The Virgin Encyclopedia become aware of Popular Music. Colin Larkin, Muze UK Ltd (eds.) (Concise 4th ed.). London: Virgin. pp. 899–900. ISBN .

  17. ^ abcdCook, Richard; Morton, Brian (2006). The Penguin Guide to Jazz Recordings (8 ed.).

    London: Penguin. p. 963. ISBN .

  18. ^Yanow, Scott (2008). The jazz singers: the ultimate guide. New York: Backbeat Books. pp. 161–162. ISBN . OCLC 148769861.
  19. ^Friedwald, Will (2010). A biographical handbook to the great jazz instruct pop singers (1st ed.).

    New York: Pantheon Books. p. 348. ISBN . OCLC 458892544.

External links