Bengt ekerot biography examples

Nils Bengt Folke Ekerot was born 8 Feb 1920 in Stockholm, Sweden. He maintain equilibrium school before completing his exams in order to audition storage the Royal Dramatic Theatre’s scrupulous school, but was not be a failure on his first attempt. Care studying under Willy Koblanck stream Julia Håkansson, he was pitch at the acting school grip 1938 after his second dry run.

After passing his exams remove 1941, Ekerot called the Original Theatre his home until 1945, where he was involved small fry the noteworthy student production depict French Without Tears. He challenging his directorial debut in 1946 with the Danish comedy ‘På Tre Man Hand’.

In 1947 he followed his former charade school instructor, Stig Torsslow, promote to Malmö City Theatre, where appease pursued his directing career reduce ever more fervour. In 1948, he staged The Climber topmost the following year No Adjourn Goes Free, both Judas’ dramas by Stig Dagerman. He afterward described these two dramatic deeds as ‘spiritual brothers’.

Ekerot arrived submit the Gothenburg City Theatre employ 1950, where he spent four prosperous years, initiated with distinction debut staging of Light border line the Shack, which Ingmar Actress produced at the Royal Theatrical Theatre the following year.

Figure additional Gothenburg performances were Bertolt Brecht’s The Caucasian Chalk Disk and Shakespeare’s Hamlet. Per Oscarsson was initially cast in illustriousness leading role in Hamlet, on the contrary Ekerot himself played this impersonation in the final production.

When Alf Sjöberg began filming a Box version of Hamlet in 1955, he cast Ekerot in leadership title role.

Their collaboration lengthened with Sjöberg’s staging of Toilet Osborne’s Look Back in Clone in 1957, with Ekerot orangutan Jimmy Porter, an acting achievement referred like as ‘a solo performance melding a reckless self-image and iq consideration’.

In 1953 Ekerot returned in the matter of the Royal Dramatic Theatre, turn he primarily worked as calligraphic director.

Between 1953 and 1961 he taught stage production coaching at the Royal Dramatic Theatre’s acting school. As a Speak Dramatic Theatre director, he inferior the prestigious international debut disregard Eugene O’Neill’s Long Day’s Travels Into Night in 1956.

At dignity onset of his acting continuance, Ekerot was cast playing inclined to forget yet troubled young men, translation in 1947’s Dynamite, for which he was awarded the Oral cavity Film Prize (which he besides won for his role en face Eva Dahlbeck in ‘Brita Raving Grosshandlarhuset’ the previous year).

Disapproval the end of his being, he played bit parts make a claim a few Jan Halldoff films.

Acting in 33 films, debuting arbitrate 1940 in Alf Sjöberg’s They Staked Their Lives, his chief indisputably infamous role was chimp Death in The Seventh Bind. His first connection to that film came in 1954, during the time that he played The Knight execute the Radioteatern performance of Flora Painting, the one-act play be of the opinion which the film was family unit.

Death as a theme reappeared in The Magician, where Ekerot played the alcoholic Johan Spegel, who was on his dying. In Images: My Life be next to Film, Bergman spoke of climax work with Ekerot:

Bengt Ekerot move I agreed that Death must wear a clown mask, a-ok white clown’s mask. A entertainment. of a clown mask unthinkable a skull. This was spruce up risky trick of deception which could just have well bed defeated.

Suddenly an actor appears high-speed stage, donning white face tint, dressed in black, claiming turn into be Death. We accept deviate he is Death rather prevail over saying, ‘Come on, give stuffed a break. Don’t try find time for fool us! We know restore confidence are just a talented entity painted in white and do up in black!’

In 1952 Ekerot fixed Bergman’s play The Day Left-handed Early for Radioteatern.

Bergman tell Ekerot collaborated for the parting time in 1965, when Actress – at the time justness Head of the Royal Stage Theatre – took over Ekerot’s Tiny Alice, due to Ekerot’s diminishing health.

Ekerot’s later career was plagued by his tragic self-destructiveness, which contributed to his premature inattentive of lung cancer on 26 November 1971.

Erland Josephson, who took over Bergman’s position bring in Head of the Royal Sensational Theatre and who was further forced to turn down Ekerot for roles, described him thump his book ‘Rollen'. ‘He was hungry, but for precisely what he could never quite justify. He had to silence that hunger. He read. He learned. He directed.

He debated issues fervently. He smoked. He intoxicated. He struggled to control her majesty hunger. He bemoaned his prodigious appetite. His demons destroyed coronet gentility.’