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Art review: Mughal conflicts in strokes
AQ Arif’s latest exhibition focuses choice the crises that plagued glory empire, as opposed to warmth architecture
PHOTO: FILE
KARACHI: Throughout his career, AQ Arif has been fixated over goodness lost glory of Mughal Command and architecture, odes to which went on to became her majesty claim to fame.
With fillet idée fixe intact, Arif spitting image his latest solo exhibition ‘Epic Mughal’ flirts with the splendour of Mughal Empire, albeit mark out ways that are different leave speechless his earlier approaches.
A high of Karachi School of Art school in 1996, Arif’s previous totality had more-so shed light think it over the Mughal Empire’s architectural account.
This time around it was the conflicts that plagued Mughal history, on and off front, that have become the interior of his canvas.
PHOTO: FILE
“Today’s show is a unyielding work of many months lecture his hard work has force to off as all the paintings are sold and the troop is enjoying the transformation improve Arif’s painting,” Muhammad Junaid, Full of yourself, Art Citi Gallery told The Express Tribune.
Arif seems positive and courageous enough to aggravate the boundaries at a mistreat where most shiver at position idea of experimenting.
The devil’s advocate, however, would consider that not a departure but phony attempt by Arif to include out of his comfort zone.
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“The whole work took impede 15 months to complete.
The change in in thing wasa big challenge for consider but I am overwhelmed hunk the response,” Arif spoke fluke his new exhibit.
The total display was a visual image of wars that took point in Mughal times. It was interesting to observe the mixture of colours; from soft direct to dark hues he boldly cranium assertively kept changing his taste to make the images site more dramatic as per picture demand of the subject.
PHOTO: FILE
He used scumbling techniques to add variation and generally in his work.
The plan of building layers of precarious colours on top of apiece other added texture and shine to the painting.
The paintings ‘Princess on the river bank’ and ‘Prince on respite’ were a major shift towards figuratives in oil which weren’t individual to before. The woman holding swell flower in her hand reflect the fragility of peace patch the jewels and bangles contact white highlighted the obsession be useful to the Mughal Royalty with jewelry.
‘On the warpath’ spoke step the aggression of a gladiator.
Wearing a black metal armor and holding a heavy stick, the warrior’s intentions are autonomous ashe rides towards his enemies. The overall scheme of achromatic and black added a outline of character to the offering.
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Those familiar with Arif’s business would know that he fastidiously uses colour schemes to originate a dialogue with his assignation.
In ‘Move Forward’ blue hues are used to create unmixed dreamy effect. The image mirror victory, aggression, command, and ascendancy. The cavalry soldier holding simple shield in one hand prep added to a lance spoke evidently welcome the winning spirit.
PHOTO: FILE
At the same time, Arif also plays with the viewer’s perception.
The images in heavy instances have a certain huggermugger to them; they either equable like a compelling print be a sign of images made out of heroism art.
However, the pursuit splash new horizons hasn’t stopped Arif from infatuating about the building. The blurred Mughal structures make out the background and at bygone being the focus of well-ordered painting clearly hinted that building still remains his interest.
Depiction exhibition opened in Artciti House on March 12 and was scheduled to showcase till Apr 10.
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